Born on a mixed subsistence farm in rural Lunenburg County, Nova Scotia, Canada. Moved to Ontario in 1967 to attend University at what was then Waterloo Lutheran University and moved to Oakville, Ontario in 1971. Without intending to live up to the name became a letter carrier the following January and have worked for Canada Post ever since. I retired in August of 2008.

Saturday, April 09, 2016

Grand Ole Opry 2016-04-08

I miss the gal who used to play Minnie Pearl. Also Pat the driver who used to regale her passengers as she drove us up in her massive bus. Jose describes himself as a fat man, drives a smaller less luxurious bus, did not introduce himself, and made no announcements. But he got us there and had our tickets.

For the first time I had a direct view of the stage but far enough back that I was thankful I'd brought my binoculars. Everything came off with the same precision as always. The tall rail-thin cameraman in black Levis that hung limp from the belt at his hips, black shirt and cap worked the left side of the stage. Edward Stubbs made the announcements towering behind his stand.

The curtain went up at 7:00 to a full house filled with rather loud, raucous, enthusiastic high school teens. The sponsors were Boot Barn, Cracker Barrel, Dollar General and, of course, Humana. Once more we were shown views of biblical flood flowed across the hallowed stage and the clean-up that followed and the effort that made the show go on.

Many tributes to Merle Haggard everyone paying obligatory homage with stories of meeting, performing on stage with, or seeing him in performance. The first provided by half-hour hostess Jeannie Seely a well coiffured blonde who took the stage regally but insisted on hugging the two males she introduced. Jackie Lee wore skin tight jeans torn at the knees. Gary Morris in black suit with full head of white hair and well-trimmed full white beard provided traditional country ballads accompanied solely by his own guitar.

Mike Snider played hillbilly blue grass with his group reading his notes from a piece of crumpled paper appearing old as the hills himself. He sat on stage between his host gigs. Mandy Barnett clad in black leather sang in that traditional drawn out ballad style. Diamond Rio were a more new country rockability group whose sonic assault battered my ears.

Learned my seat-mate to the left was a Newfoundlander laid off from the oil patch starting a new job in Saskatoon here on a conference for work. He walked in and out over my feet at least six times in 2 hours.

Bill Anderson was another elder statesman of Country who introduced Jessie McReynolds accompanied by his younger brother and up and comer Will Hoge who was doing an in-store appearance one of two artists to use his own solo guitar accompaniment.

Riders in the Sky appeared in aged cowpoke style one clad in plush velour chaps. They sang traditional cowboy ballads ending the night with Happy Trails. Debut artist Alicia Witt clad in brilliant red creation sat the grand piano and performed on camera from that position. Kristian Bush talked of his children and performed new country.

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